The new Vea fittings collection from Villeroy & Boch has been created by Christian Haas, and is a series that embodies minimalist design, precise geometry and a visual language conceived for longevity. The company says that Vea is not intended as a 'decorative object', but rather as an 'architectural element within the space'.
At the heart of the design are precise facets, inspired by the clear geometry of classic perfume bottles, which define the tap’s distinctive form. These facets act as a structural elements, refracting light in a controlled way, directing shadows and creating a slim, clearly defined silhouette. The result is a modern interpretation of classic craftsmanship – translated into industrial manufacturing precision.
"It's about developing a design language that endures and remains visually relevant over time," said Christian Haas. "The facet is not merely decorative, but defines edges and form. It gives the fitting contour and clarity."
This formal clarity is also reflected in the operation: the ViPush technology developed for Vea introduces a completely new control concept. The water flow is activated intuitively by pressing the central control button, while temperature can be adjusted by turning it. This press-and-turn mechanism evokes the refined tactile experience of high-quality perfume bottles. Unlike conventional levers, which can interrupt the purity of the form, ViPush offers a central, integrated control element. Technology, aesthetics and user experience combine to form a harmonious whole.
The model with a ceramic inlay in the control knob creates a deliberate material connection to the washbasin. The transition from metal to ceramic enhances the tactile quality of the object and reinforces the tap’s role as an integral part of the bathroom architecture. Vea is available in Matt Black with Pure Black ceramic inlay and in chrome with white ceramic inlay. The collection is also available entirely in chrome.
